The Hawk

by pavlos stavropoulos

TW: sexual assault, violence

We leave the park where we stopped to rest and eat. The temperature is dropping, and we need to move again. Freema is tense. “It’s too quiet. There’s something wrong.”

“It’s early afternoon, nobody will be back yet,” Lupe says.

“This is M-Sec, not the Core. There should be people around.”

Continue Reading

Moving Water

Alicia Cohn Moving Water

by Alicia Cohn

TW: sexual assault

When your head pops out of the water, he is there, two lanes over and looking your direction.

You wheel around. Shoving away from the wall is pressurized with adrenaline. You shoot forward like a rocket.

Whoosh air out your nose. Turn your head. Grab some air. Raise arm behind you from the elbow. Slice through the water with your hand. Repeat.

Continue Reading

A Southern Mythology: Tales from Georgia

1

(an excerpt)

by Erin Armstrong

I’m sitting on my front porch smoking a cigarette because it’s 3am and I can’t stop thinking about fucking my father. And ain’t that just something. Is it? I mean, I’m not thinking about it because I want to be thinking about it, or because I want to fuck him. Even if I did he’s pretty dead so it would be something on several something fronts. Or backs, or my face and mouth… there I go again.Continue Reading

Why Audrie & Daisy is Required Watching in a Culture of Slut Shaming and “Locker Room Talk”

2

by Courtney Morgan

 TW: Sexual assault, rape culture, suicide

Last Friday, October 7, 2016, was a big day in the media for sexual assault. President Obama signed the historic Sexual Assault Survivor’s Bill into law. The same day, Access Hollywood released tapes of presidential candidate, Donald Trump, in 2005 bragging about his propensity toward, and ability and history of committing acts of sexual assault against women. And I, that evening, just happened to watch Audrie & Daisy—the documentary (which premiered at Sundance and released on Netflix September 23), about the sexual assault cases of two American teenage girls, Audrie Potts and Daisy Coleman. This imbroglio of mixed messages sort of felt like an average day in America—but it also painted a pretty clear picture of what needs to change.Continue Reading