Please enjoy our interview with Sydney Fowler, author, queer + trans activist, and sensitivity reader + consultant. We talk about sensitivity reading and the publishing industry, call-out culture, The Chilling Adventures of Sabrina, and more.
Thoughts and musings on the season by The Thought Erotic editors, Courtney E. Morgan and Ansley Clark
by Jessica Willingham
I used to hate my name until I saw it in her mouth.
But then I stopped feeling bored and felt more apart.
Jessica, Ashley, Britney, Stephanie, Jennifer.
Rainbow key chains, different but all the same.
Underneath we all want ourselves.
by Courtney E. Morgan
TW: sexual assault
by Steven Dunn
When men write about sexism they get praised to high heavens for it, although women have been talking about it, writing about it, making art about it, and living it for so fucking long. Initially I struggled to write about sexism because I felt that maybe it’s not mine to write. I want to contribute to the conversation in a way that isn’t colonizing. As men, we can take responsibility for what is ours: the many ways we participate in and continue to perpetuate sexism. Everything I say from here out, I’ve learned from listening to women and reading women’s works.
The Search for Non-Capitalist Pleasure
by Ansley Clark
One of my most pleasurable memories occurred in my friend’s tiny room, sitting in her plastic and unremarkable desk chair. We were English teachers living in Beauvais, France; my hair was full of split ends, and my friend offered a trim. Since none of us owned any glassware, she handed me red wine in a mug. Her fingers combed through my hair, occasionally skimming my scalp, while her scissors quietly and steadily snipped away, like small gentle insects.
Queering a Path through the Universe: Sex & Love in Sci-Fi
by Courtney E. Morgan
There have been more and more representations of queer characters and relationships in mainstream media lately—more depictions of fully fleshed out, round protagonists, given fullness and complexity in their relationships and their narratives. Queer characters can be the leads in important movies, can win awards: Moonlight, Call Me By Your Name, Battle of the Sexes come to mind. It’s a beautiful thing.
Book Review: Feminized Rastafar-I, Adaptive Diaspora, and Embodied Resistance in Marcia Douglas’ The Marvelous Equations of the Dread
by Stephanie Couey
Marcia Douglas’ 2016 novel, The Marvelous Equations of the Dread centers around a young Jamaican woman named Leenah. Leenah’s multimodal and fully-embodied engagements with sound grant her privileged access into the temporal and spiritual experience of Rastafar-I. Following pan-African traditions of resistance centered around adaptation, Leenah radically adapts to her surroundings as a deaf woman in a persistently-masculinist and sound-driven movement.
by Ansley Clark
She is on top, curled between his legs with her back against his groin, almost a fetal position. Her thin thighs press together, contained into a skinny tight v. Her arms wrap around her knees, her calves lifting to reveal tiny wet vulva lips, a cock sliding between them. She is a ball of tiny-shaped legs and a swell of belly barely there and thin arms and a sharply prominent rib cage. The caption reads: “I love this pic because it shows how tiny I am and how big he is.”
Imagine you’re a lesbian, at a lesbian bar on Lesbian Night. You strike up a conversation with a total babe. You buy her a drink. She’s leaning in, touching your arm, giving you the eye. You take her out onto the dance floor and start mackin’. As the night winds down, you ask for her number. She giggles self-consciously.
“Oh, um…so, I’m not really a lesbian. I just think women are beautiful, and like, I thought it would be fun to hook up a little, or something.”